The Hanfu movement is a cultural resurgence that aims to encourage the appreciation and adoption of Hanfu as a way of expressing one’s roots and values. The enduring elegance of Han clothing stands as a testament to the rich cultural heritage of China, showcasing how fashion has played a pivotal role in shaping and expressing societal identity through the ages. To consolidate their power and assimilate the Han Chinese, the majority ethnic group in China, the Manchus imposed a policy called “Tifayifu”, which means “changing clothes and cutting hair”. She did not choose to sing in Mandarin Chinese, which would have been more advantageous, but chose to sing in Yi. Hanfu, the traditional clothing of the Han Chinese, has been attracting more young fans in China and overseas. Modern Hanfu is becoming more diverse in style, becoming one of the most popular trends of clothing in China. Xiyue Chen, a China Academy of Art graduate, is one of the people who are passionate about restoring and promoting Han culture. One is an only partially accurate history of dress in the Qing. Han clothing is made of a piece of cloth with a width of 2 chi 2 cun (about 50cm), and it can be divided into ten parts: collar, lapel, gusset, label, skirt (the full front of a Chinese gown), sleeve, cufflinks, belt, cross straps, and ba (a ceremonial dress in ancient China).
The Chinese people appreciate it if you dress up and you will rarely find a Chinese woman older than a teenager in jeans. Hanfu festivals like the Chinese National Costume Day are now held, where people display their Hanfu on stage to celebrate their culture with the world. These changes show the effect of preserving and promoting culture by people like Xiyue Chen. Broadly speaking, “national fashion” is more like a consumer concept, which can be specific Chinese fashion brands or cross-border products with Chinese characteristics. In unraveling the rich tapestry of Han Chinese women’s attire during the Qing Dynasty, we uncover more than just a display of fabrics and colors. As a result, a school of aesthetic thought known as iki, which valued and prioritised the display of wealth through almost mundane appearances, developed, a concept of kimono design and wear that continues to this day as a major influence.
Some people thought Xiyue Chen did this for fame, but she responded by saying “People did not come for me, but for the Chinese traditions and culture.” They did not make any money from this event – It was just their way of reviving and sharing the Han culture. She and her team held an event at West Lake this summer, where they gave out free lotus flowers to people who could recite poems related to lotus flowers or West Lake. Those who resisted were punished harshly, even with death. The image above shows Xiyue Chen and her team interviewing a shopkeeper at West Lake, who sells “Song Zhen Yin”, which means pine needles drink. The image above shows a young student trying to remember a poem for a lotus flower. The image above shows her performance. Some people are dedicated to restoring and promoting Han culture in China, using Hanfu and other methods. West Lake is a famous scenic spot in Hangzhou, China, that has inspired many poets throughout history. A cultural revival has been sweeping across China, bringing with it a renewed appreciation for Hanfu, traditional Chinese clothing.
The Hanfu, literally translating to the clothing of the Han people, is not just a garment-it’s a cultural icon encapsulating the ethos of ancient Chinese society. The Qing dynasty had enforced a ban on Hanfu, making it disappear for centuries. Xiyue Chen and her team wore Hanfu that was recreated from 清明上河图, or Along the River During the Qingming Festival, a classic painting that depicts life in the Song dynasty. Some people doubted her intentions, but Xiyue Chen ignored them and continued her activities around West Lake. Xiyue Chen did not stop her efforts to revive the Han culture in China. However, this culture was severely disrupted by the Qing Dynasty, the last imperial dynasty of China. Round fans with Chinese paintings and with calligraphy became very popular in the Song dynasty. Meanwhile, styles from the Song dynasty, which can be easily mixed and matched with contemporary clothing, have been gaining momentum because there have been more period dramas set in this period recently. “This is the first time we tried to make Song Zhen Yin. It is unbelievable how much culture and traditions were lost in such a short time.
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