Hufu-style clothing during this period; it was considered hufu while yuanlingpao was categorized as a form Hanfu. Fanlingpao worn during the Tang dynasty was categorized as Hufu. Double-overturned lapel kaftan-like robe were called kuapao and were referred as hufu in the Tang dynasty; kuapao was characterized with tight sleeves and double overturned lapels with short overlap which closes at the front in proximity to the centre of the body (or with a front opening). During the Eastern Han dynasty, some forms of Hanfu started to be influenced by the Hufu of the Hu people, leading to the emergence of garments with round collars, or yuanling. It was categorized as Hufu instead of Hanfu due to its association with clothing of the foreigners who came from the Silk road. 21 It was greatly appreciated by some hermits and scholars during this period and was mentioned in some poems written by Wang Yucheng being described as “the silk wadding cap, coarse clothes and black muslin scarf” and Fan Zhongyan who described the Taoist priests as dressing themselves sprucely. 21 In the early Southern Song, a style of Taoist priest robe is described as: “the broader silk braid of the Taoist priest robe was seen as more stylish, with the breadth being about three to four cun, and the length more than two zhang, so that that dress made of silk velvet could be wrapped back and forth around the wearer’s waist several times”.
In the Qing dynasty, Taoist priests wore dark blue robes. Patchwork robes is a form of ritual dress; it is made of various pieces of old clothing sewn together are worn by the Taoist priests of the Quanzhen school of Hong Kong. Taoist’ priest; it is usually fastened across the front with 2 silk ties which are sewn just above the waist level. The courtiers in the foreground are wearing their hitoe off-the-shoulder, showing the kosode beneath. The custom of wearing fanlingpao were then inherited and further developed in the Sui and Tang dynasties. 27 The fanlingpao of the preceding dynasties were further developed in the Tang dynasty; such that it could be transformed into the yuanlingpao by buttoning up three buttons on the collar. Their robes were versatile, it could often be transformed into a yuanlingpao-like robe by buttoning up the neck to form the round collar or occasionally have their lower button undone allowing their collars to be form lapels, becoming lapel robes. While most of the women choose Su Lenin suit, this style of clothing learned from the Soviet Union for the double-breasted suit with open collar, if the lower part of the large lapel phase cover, buckle under the collar, it becomes two small pointed collar.
While the shuitianyi was a popular form of fashion for women in the Ming dynasty, men during this era would also wear baina clothing. Sun could instead give a chosen cadre of monks super strength and divine longevity in a similar fashion. The bottom of the scarf is square-shaped while the upper part is triangular in shape like a roof. The upper back is slightly raised to symbolize transcendence. The earliest depictions of Xianbei and Han Chinese people wearing lapel robes in China also date back to the Northern Wei dynasty. 129 The Chinese changshan differed from the Manchu men’s neitao as it only had two slits on the sides, lacking the central front and back slits, and lacked the presence of the matixiu cuffs; the sleeves were also longer than the ones found in the neitao. Lapels robes originated from Western Asia and were popular in Central Asian in the Sogdian region, in Qiuci, and Gaochang. Nowadays, tradition-based taoists will often wear the traditional robes and liturgical clothing for formal religious and ritual occasions; while Zhengyi priests and taoists priests outside mainland China tend to wear Western clothing in their daily lives.
It is a form of headwear worn by Zhenyi priests. 21Another form of Taoist priest was the Hechang (lit. 222 Therefore, the Daoshi (Taoist priests) wear the attire of the gods. 222 It is a hat with 9 slits in the front of the hat which grows like the ridge of a roof. 222 To thank the deity for protecting the world, the Yellow Emperor designed the Taoist ritual dress based on the deity and reasoned that these heavenly clothing would be the most appropriate attire to wear when approaching the heavens during prayers. Many variety of Taoist ritual clothing were also described when Taoist clothing was systematized. According to the Taoist tradition, the ritual clothing originated since the era of Yellow Emperor; according to the legend, one day the Yellow Emperor saw a deity dressed in golden robe adorned with colourful clouds and a golden crown. 456 Early taoist clothing were not fully developed and it is the Northern and Southern dynasties that the preliminary Taoist dress code was formed. Daopao in the form of hechang has been recorded since the Northern Song dynasty.
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